I consider images of interior items, still lifes, and food not as genre motifs, but as carriers of temporary experience. Removed from the usual context and placed in a conventional space, they lose their utilitarianism and begin to function as autonomous trace images devoid of the original situation. The hyperbolization of form reinforces this displacement: objects enlarged to monumental scales distort space, violating the usual coordinate system.
 
 
Interior with the aquarium.
Monotype print, etching ink, watercolor, paper. 80x60 cm, 2017
Private collection.
Interior with the aquarium. Monotype print, etching ink, watercolor, paper. 80x60 cm, 2017 Private collection.
 
Deep Water.
Monotype print, etching ink, printed watercolor, paper. 50x60 cm, 2017
Private collection.
Deep Water. Monotype print, etching ink, printed watercolor, paper. 50x60 cm, 2017 Private collection.
 
The Pink Walls.
Monotype print, etching ink, printed watercolor, paper. 80x60, 2016
The Pink Walls. Monotype print, etching ink, printed watercolor, paper. 80x60, 2016
 
Bananas (I) 
Monotype print, etching ink, paper. 70x100 cm, 2017
Private collection.
Bananas (I) Monotype print, etching ink, paper. 70x100 cm, 2017 Private collection.
 
The Melting Fish. (Still-life With a Melting Fish)
Monotype print, etching ink, paper.  50x60 cm. 2017
The Melting Fish. (Still-life With a Melting Fish) Monotype print, etching ink, paper. 50x60 cm. 2017