I consider images of interior items, still lifes, and food not as genre motifs, but as carriers of temporary experience. Removed from the usual context and placed in a conventional space, they lose their utilitarianism and begin to function as autonomous trace images devoid of the original situation. The hyperbolization of form reinforces this displacement: objects enlarged to monumental scales distort space, violating the usual coordinate system.
Interior with the aquarium.
Monotype print, etching ink, watercolor, paper. 80x60 cm, 2017
Private collection.
Deep Water.
Monotype print, etching ink, printed watercolor, paper. 50x60 cm, 2017
Private collection.